Rosie Bewley

BA (Hons) Film, Falmouth University, 2015 – 2018.
Learned by doing a practical led degree where I made and mostly edited a variety of different films using both Avid, Premiere Pro and After Effects.

Certified User in Avid Media Composer
Adobe Premiere Pro
DaVinci Resolve
Adobe Media Encoder
Interplay
Forscene/Blackbird
Xendata
Storage DNA
Cinegy
Quadrus
Vidchecker
Mediashuttle
Aspera

WORK HISTORY

Evolutions, 2019 – 2023.

Location Operator and Supervisor
– Alongside office work, I’ve worked as DIT on location. This involves card backup and live capture of the rig cameras using Cinegy and Quadrus.
– In August 2022, I worked as a supervisor on Next Level Chef for the US and UK series, where we captured mains and parity of 36 streams.
– This required me to work abroad with short notice and long hours including nights.

Finishing and Mastering Operator
– General support of the online creatives, prepping offline picture lock sequences for audio and online, DVD creation, QC checks, conforms and creation of master files for delivery.
– An excellent understanding of different broadcast specifications, our departmental workflow and a high attention to detail was required to meet the programmes specific deadlines for channel.

Edit Support Operator
– The main tasks in this role include but are not limited to syncing, grouping, NEXIS media management, exporting sequences, mic and sync pulls, troubleshooting Avid issues with Avid software and suite hardware, including supporting clients working remotely.
– Occasional jobs involved replacing music for international shows and project coordinating.
– Gained a greater understanding of how each process can affect the other within the wider company workflow, helping me become more meticulous and precise in my work.

Media Support Operator
– Responsible for backing up, converting and ingesting media digitally using Avid and automated Ingest as well as archiving deliverables to LTO.
– Achieved ‘Employee of the Month’ in this role in February 2020 for my positive and calm approach to high pressure situations and great work ethic.
– In 2021, trusted to be temporary supervisor of the department for 2 weeks, taking on the responsibility of ensuring work was completed, staff could manage their daily workload and I liaised with our bookings team to help with the smooth running of the department.
– Progressed into a senior position in 2020-2022. This role had me assisting colleagues and aiding in up-skilling, training and taking on higher responsibility jobs such as archiving entire projects upon their completion.
– This role required an excellent knowledge of codecs and a good understanding of converting media in Davinci and Adobe Media Encoder.

Songbird (Alright Now), 2018.

Trainee Assistant Editor
– Set up and maintained the smooth running of the edit suite ready for each day.
– Fulfilled many assistant editor jobs, such as but not limited to:
– negotiated quotes on additional content such as animation for the trailer
– organised bins and media within Avid
– ingested and synced media
– created dailies
– exported QTs for viewings

Data Wrangler
– A DIT, data wrangler role where I covered the main DIT on set, backing up and wiping camera cards using ShotPut Pro, completed syncing in Davinci Resolve and basic QC of rushes as they came in to flag any issues to the camera crew as soon as possible.
– Worked effectively so that the crew always had enough cards on set, which required high levels of communication with the runners.